A humorous and surprising Argentinian experiment in lo-fi aesthetics about a girl's trip to an alternative music festival.
In 1818, when Joseph Mohr is assigned to be the new assistant priest in Oberndorf, a small Austrian town near Salzburg, the young man is full of ideas and ideals. His passion to bring the church closer to the common people sets him on a collision course with his new superior, Father Nostler. When Mohr organizes a church choir that includes outcasts from the local tavern and performs in German instead of Latin, Nostler threatens him with disciplinary action. Their relationship further deteriorates when Maria a regular tavern patron, surprisingly joins the performance of the all-male church choir. As Mohr's initial successes start to crumble and his efforts backfire on him, he loses all hope and faces a trial of faith. The night before Christmas, Mohr has to decide if he will accept defeat and leave Oberndorf or embrace the true significance of the Holy Night.
Satchmo. There are few people in this country - or around the world - who will not recognize that name. Louis Armstrong embodied 20th-century American culture. He revolutionized the world of music and became one of the nation's most influential entertainers. No other performer of his era has such a profound effect as a singer as well as an instrumentalist.
"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.
Christine Evans, the fifteen-year-old daughter of the widowed American ambassador to Mexico Jeffrey Evans, believes that she is no longer a young girl and that she has fully matured into adulthood. Eager to make her mark in the sophisticated world of foreign diplomats living in Mexico, Christine appoints herself as organizer of her father's social activities and takes over the planning of a big garden party he will be hosting. Because he loves his daughter,
Set 1: The Music Never Stopped(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Me and My Uncle(John Phillips cover) Row Jimmy(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) Cassidy(Bob Weir song) Iko Iko(Sugar Boy and His Cane Cutters cover) Set 2: Here Comes Sunshine(Grateful Dead cover) (>) Viola Lee Blues(Cannon’s Jug Stompers cover) (> 'Cissy Strut' jam >) Looks Like Rain(Bob Weir song) (tour debut) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) The Wheel(Jerry Garcia cover) (>) Wharf Rat(Grateful Dead cover) Casey Jones(Grateful Dead cover) Encore: Touch of Grey(Grateful Dead cover)
This is the second theatrical play adaptation of the popular manga series “Lychee Light Club.”
A G.I. in occupied Japan tries to re-woo his old love, who's putting on a show for the troops.
Celebrity Takedown is a compilation DVD by Gorillaz, released in November 2002. The DVD compiles the videos and animatics related to the release of the band's first album, Gorillaz, as well as the related singles.
An NRI visits India to look for his estranged father and brother. He soon learns that both are expert conmen. He is forced to join them and go to Punjab to fix his younger brother's love life.
Animated short from Theodore Ushev
The personal life and professional career of music superstar Gordon Matthew Thomas Sumner, universally known as Sting, who became passionate about music at a very early age and founded the trio The Police in 1977 with Stewart Copeland and Andy Summers, achieving an immediate success.
Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).
Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.
The Syndicate of Brazilian Thieves tries to steal the world's greatest diamond, owned by the international star Iraya, who comes to spend the carnival in Rio. Interpol kicks in.
Marvin Gaye: Live in Montreux 1980 is a taped performance of singer Marvin Gaye's performance at the Montreux Jazz Festival, recorded on July 17, 1980. Gaye included this performance as part of a European tour. Gaye performs a majority of his hits from his recent disco-funk hits "Got to Give It Up" and "A Funky Space Reincarnation", to his duet hits with Tammi Terrell including "Ain't No Mountain High Enough" and "Ain't Nothing Like the Real Thing", in which Gaye re-interpolated the songs as a somber tribute to Terrell, who died over a decade before, to sixties Motown classics such as "I'll Be Doggone", "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)" and "I Heard It through the Grapevine", to seventies standards such as "What's Going On", "Trouble Man" and "Let's Get It On". The Montreux set was later released as a CD/DVD in 2003.
“We were born in Liverpool but grew up in Hamburg”, John Lennon once said. This feature documentary seeks to find the truth in those words. The long and winding road that the Beatles took to worldwide fame passed through Hamburg, Germany in the early 1960s. Only a couple of years before they became household names, the former Quarrymen were cutting their musical teeth on nightclub stages in the city. Hamburg had become the vice capital of Europe after World War Two, its neon-lit streets home to sailors, sex workers, drug dealers, gangs and low life. Meanwhile, the English band was still developing, still young and virtually unknown. By the time of their last German visit in 1966, the Beatles were an international phenomenon. 'No Hamburg, No Beatles' explains how learning their trade in this fascinating city helped propel them to global stardom.
Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology and stagecraft, this exciting production gives Die Zauberflote a refreshing new treatment that is both thrilling and simple in it's approach. Following an overwhelming success on stage, McBurney's unique production received five-star reviews in the Dutch press: 'a feast for the eyes and the ears' (Het Parool) and 'Delicious!' (Trouw).
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