Na-young works at a post office and is sick and tired of being around her shamefully unyielding mother and her pushover father who's excessively nice. The only thing that she can look forward to is her trip abroad in a few days. But one day, her father leaves home without any notice. Her mother doesn't care what happens to him and doesn't care to look for him. Na-young has no choice but to give up her dream trip abroad and to search for her father instead. Once she arrives at her parents' hometown, Na-young is shocked to meet someone she'd never expect, even in her dreams.
Welcome aboard the fantasy train in the stars! "Fantasy Railroad in the Stars" is a fantastic journey of a boy, Giovanni, in a dreamscape created into a colourful full-dome CG animation picture with inspiring background music. Based on the famous Ginga Tetsudou no Yoru story written by Kenji Miyazawa in the early 20th century, Kagaya, a digital fine artist, has breathed new life into the unique imaginary world using creativity and precise astronomical knowledge. The starry sky is depicted as the Celestial Field made up of a river, a field of silver grasses, flowers, birds, survey towers, railway signals and more. Across this amazing beautiful scenery, the Celestial Railroad runs along the Milky Way. It is a fantasy world in full colour, but designed with scientific accuracy.
Adapted from four different Russian folk-tales, this early Soviet fantasy film tells the story of Emelya the Fool, who, fishing one day, catches a talking pike who pleads for his life and in return grants Emelya wishes for a life spared.
The story begins in Anpanman World, where everybody is bustling around, getting ready for the annual Star Festival. On that day, an egg emerges from Baikinman's garbage box, and when it hatches, a mysterious boy named Kurun emerges from within. Though Kurun does not know where he came from, he spends his days having fun with everybody. But one day, black stars begin raining down. Anpanman thinks that something suspicious might be occurring at the Star of Life, and he heads there.
Max and Chrige, a married couple of Swiss linguists, hike the Alps searching for rare words still uttered by the rural population. While on his way to a conference, the husband's plane disappears over the sea. Chrige is advised to give up hope of ever seeing him alive, but her heart tells her otherwise. Max comes ashore on a tropical island with another survivor, the plane's pilot. But where are they in reality?
A guitar-playing drifter helps a rancher's granddaughter find her true calling. They soon find themselves in the middle of a land war driven by quirky characters and magical realism.
Zuma is back with a vengeance... and this time he's back with his own children.
A bilious misanthrope finds enlightment via heaven, hell and the kitchen cupboard.
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.
Snow White’s stepmother is jealous of her beauty. So great was her vanity that she kept asking her magic mirror: "Mirror, mirror, on the wall, who in this land is fairest of all?". And he replied that Snow White was a thousand times more beautiful than she was. The vain queen refuses to accept this and decides that Snow White must die.
The Dance of the Wind (Arabic: رقصة الريح) is an Algerian-Tunisian film and the fourth feature film by Taïeb Louhichi. Shot digitally, it differs from his previous films in its emphasis on meditation rather than vast outdoor landscapes. While scouting locations for his film in southern Tunisia, director Youssef meets the gaze of a stunning Berber woman who orders him not to film her. This marks the beginning of a wandering journey that leads him to his downfall in the vast desert, prey by day to mirages, by night to his anxieties, childhood memories, his first cinematic experiences, and the fear of seeing his film fail because he has let his mind wander. His car is his only anchor and his means of resistance, thanks to the contents of its trunk where he keeps scripts, photos, and means of subsistence.
A young girl is playing on some waste ground when she finds a pencil with a face. Whatever she draws with the pencil becomes real. Just an ordinary day.
Anthropomorphic manifestations of the hyperobjects of animal husbandry, millitarisation, forestry plantations and capitalist markets become combating characters in this poetic film. Rooted in the realities of landlordism, climate collapse, and extractivism, the film draws on sci-fi tropes and the Mabinogion myth of Blodeuwedd to rupture the seeming inevitability of capitalism.
mysteries of the sea are revealed before 4am. shot in Hastings, England in 2008
Masters of different martial arts styles start to disappear or are killed mysteriously.
Five hundred years ago, to practice witchcraft, a bat elf forces her sister, Siu-chu to lure strong men so that she can suck their blood. A priest stops Siu-chu from killing two guards by using his supernatural powers. After fighting, both parties are wounded. To help the guards cope with bat elves, the priest gives them string instruments, swords and thousand-year-old snow pearls. Unexpectedly, the guards swallow the snow pearls and it takes them five hundred years to resurrect……
A man goes in search of some urgently required answers to the world of Bhairavakona, from which there's seemingly no way out.
Film-maker Jean Diaz lives with his son David after separated from his wife. On their way to the new house near the sea, Jean and David have a car accident provoked by The Death (portrayed here like a grim-reaper). The doctor actually can save Jean, but The Death sabotages the equipment with his computer. The Death offers Jean to wake David from his coma, but Jean must make an animation movie against the violence for him.
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